“Temporary like a prism,Being involved and being ignored.
But your broken glass charisma
Is my one and only source.
Circularly, you remember
Maybe you or me or both.
Sorry you, sorry me,
Proudly fail, resume indoors.
Distance closes our throat.
Be so sweet can’t replace.
Miles unconnectable,
Time is improvable.
Contradictions you say,
We’re so ignorable,
So your static, empty words
Just wish a syllable.
Our bodies are paralysing us,
Selling our souls otherwise.
Feed crippled mind and fertilise,
Selling our souls otherwise.
Our bodies are paralysing us,
Selling our souls otherwise.
Feed crippled mind and fertilise,
Selling our souls otherwise.
Free our horses, my pretender,
Don’t you let them go astray.
Colours flash, the only minded.
Colours… fade.
Distance closes our throat.
Be so sweet can’t replace.
Miles unconnectable,
Time is improvable.
Contradictions you say,
We’re so ignorable,
So your static, empty words
Just wish a syllable.
Our bodies are paralysing us,
Selling our souls otherwise.
Feed crippled mind and fertilise,
Selling our souls otherwise.
Step into pain circles,
Enter the whispering.
Wash out your construction,
Fragments of rain.
Our bodies are paralysing us,
Selling our souls otherwise.
Feed crippled mind and fertilise,
Selling our souls otherwise.”
[ Pi – Leandra ]
Pi has always been a tricky one in my Morphine project: while I absolutely love this song, the lyrics are quite abstract and all over the place with their imagery. I could pinpoint the general theme – working out a difficult romantic relationship – but it didn’t give me much to work with visually.
The music, on the other hand, has always evoked me a dynamic image of a couple somewhere in-between a dance and a fight: something coreographic that could encompass both a feeling of separation and an attempt at reconciliation.
With so little in mind, I sort of shelved the song to the back of the project to focus on more approachable concepts… until this happened.
Basically, when I had my nice shoot with Knajfer Wintermere and his handsome real-life boyfriend Riccardo, I mostly allowed them the freedom to just act naturally in front of the camera and be the beautiful couple they are. At some point I attempted to set up another Morphine photo which didn’t really work out, got frustrated over that and just let them fool around a little on their own. When I focussed back, there they were: Riccardo is a very atletic boy and was doing splits for the fun of it with Knajfer. There was just something about the intensity of their gaze that hit me in the face with all the power of the piano riff in the second half of the song, and I instantly knew this was what I wanted Pi to look like in my project. There, out of the music itself.
The prism / icosahedron was a last-minute postproduction idea I had to give a further link to the song lyrics and because sketches surreally overimposed on the photos are a recurring theme of sort in the project.
And so, that’s it: Knajfer and Riccardo basically pulled me over a potentially huge hitch in my project just by being an adorable couple. Which is precisely the reason why I’m saving so many photos for people who truly have feelings for each other: some things you cannot act, they have to come from the heart.
The music, on the other hand, has always evoked me a dynamic image of a couple somewhere in-between a dance and a fight: something coreographic that could encompass both a feeling of separation and an attempt at reconciliation.
With so little in mind, I sort of shelved the song to the back of the project to focus on more approachable concepts… until this happened.
Basically, when I had my nice shoot with Knajfer Wintermere and his handsome real-life boyfriend Riccardo, I mostly allowed them the freedom to just act naturally in front of the camera and be the beautiful couple they are. At some point I attempted to set up another Morphine photo which didn’t really work out, got frustrated over that and just let them fool around a little on their own. When I focussed back, there they were: Riccardo is a very atletic boy and was doing splits for the fun of it with Knajfer. There was just something about the intensity of their gaze that hit me in the face with all the power of the piano riff in the second half of the song, and I instantly knew this was what I wanted Pi to look like in my project. There, out of the music itself.
The prism / icosahedron was a last-minute postproduction idea I had to give a further link to the song lyrics and because sketches surreally overimposed on the photos are a recurring theme of sort in the project.
And so, that’s it: Knajfer and Riccardo basically pulled me over a potentially huge hitch in my project just by being an adorable couple. Which is precisely the reason why I’m saving so many photos for people who truly have feelings for each other: some things you cannot act, they have to come from the heart.
